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Erotic grotesque nonsense : the mass culture of Japanese modern times / Miriam Rom Silverberg

By: Material type: TextTextPublication details: Berkeley, Calif.: University of California Press, c2005Description: xviii, 369 pages : illustrations ; 23cmISBN:
  • 9780520260085
Subject(s): DDC classification:
  • REF 306.095209041 Si39
Contents:
Japanese modern times Japanese modern within modernity Japanese modern sites The modern girl as militant (movement on the streets) The café waitress sang the blues Friends of the movies (from Ero to empire) The household becomes modern life Asakusa honky-tonk tempo Asakusa eroticism Down-and-out grotesquerie Modern nonsense
Summary: "This history of Japanese mass culture during the decades before Pearl Harbor argues that the new gestures, relationship, and humor of ero guro nansensu (erotic grotesque nonsense) expressed a self-consciously modern ethos that challenged state ideology and expansionism. Miriam Silverberg uses sources such as movie magazines, ethnographies of the homeless, and the most famous photographs from this era to capture the spirit, textures, and language of a time when the media reached all classes, connecting the rural social order to urban mores. Employing the concept of montage as a metaphor that informed the organization of Japanese mass culture during the 1920s and 1930s, Silverberg challenges the erasure of Japanese colonialism and its legacies." --Book Jacket
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Holdings
Item type Current library Call number Status Date due Barcode
DONATION LAPULAPU-CEBU INTERNATIONAL COLLEGE REFERENCE SECTION REF 306.095209041 Si39 2005 (Browse shelf(Opens below)) Not for loan 005364

Japanese modern times
Japanese modern within modernity
Japanese modern sites
The modern girl as militant (movement on the streets)
The café waitress sang the blues
Friends of the movies (from Ero to empire)
The household becomes modern life
Asakusa
honky-tonk tempo
Asakusa eroticism
Down-and-out grotesquerie
Modern nonsense

"This history of Japanese mass culture during the decades before Pearl Harbor argues that the new gestures, relationship, and humor of ero guro nansensu (erotic grotesque nonsense) expressed a self-consciously modern ethos that challenged state ideology and expansionism. Miriam Silverberg uses sources such as movie magazines, ethnographies of the homeless, and the most famous photographs from this era to capture the spirit, textures, and language of a time when the media reached all classes, connecting the rural social order to urban mores. Employing the concept of montage as a metaphor that informed the organization of Japanese mass culture during the 1920s and 1930s, Silverberg challenges the erasure of Japanese colonialism and its legacies." --Book Jacket

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